Vidéos des Fans
XAVIER CARDRICHE
BALCONYTV.COM 23/05/2007
PRESENTED BY TOM MILLETT
Xavier Cardriche was raised in a musically diverse household that ranged from his mother's love for The Beatles to his father's devoutness to Fela Kuti. Even at a young age, Xavier felt the intensity of music and soaked up everything from Mariachi to Motown.
After picking up a guitar some years ago, Xavier's been going strong since. He began playing alongside his friends, who taught him the basics, and after mastering some Bruce Springsteen and Van Morrison covers, songwriting came instinctively. Over time and numerous graveyard shifts, Xavier wrote some original songs, worked the vocal chords out, and played those fledgling songs at local New York City open-mics. The process paid off with a listening audience, feedback, and some paying gigs. Even to this day, Xavier still extends many thanks to his friends for showing him how to bring music to his fingertips.
Xavier's raspy voice and meandering tunes emote an intimacy as if you are sitting alone with him. He is greatly influenced by such artists as David Gray, Dave Matthews, Donovan, Counting Crows, Ryan Adams, Damien Rice, and Jack Johnson.
Currently, Xavier has a short demo under his belt, which was recorded in Brooklyn at Terminal One Studios. The Demo EP features all his original work along with guest appearances from talented local artists. He has just recorded a live performance DVD / CD with his band, The Buybacks, which will be available this Fall.
Xavier has been blessed with a loyal fan base of folks from all walks of life. Whether he is belting out songs in New York, or even busking in Ireland, he flourishes in each venue, however intimate or unconventional.
http://www.myspace.com/xaviercardriche
http://www.xaviercardriche.com
Tune in again tomorrow!!!
BALCONYTV.COM 23/05/2007
PRESENTED BY TOM MILLETT
Xavier Cardriche was raised in a musically diverse household that ranged from his mother's love for The Beatles to his father's devoutness to Fela Kuti. Even at a young age, Xavier felt the intensity of music and soaked up everything from Mariachi to Motown.
After picking up a guitar some years ago, Xavier's been going strong since. He began playing alongside his friends, who taught him the basics, and after mastering some Bruce Springsteen and Van Morrison covers, songwriting came instinctively. Over time and numerous graveyard shifts, Xavier wrote some original songs, worked the vocal chords out, and played those fledgling songs at local New York City open-mics. The process paid off with a listening audience, feedback, and some paying gigs. Even to this day, Xavier still extends many thanks to his friends for showing him how to bring music to his fingertips.
Xavier's raspy voice and meandering tunes emote an intimacy as if you are sitting alone with him. He is greatly influenced by such artists as David Gray, Dave Matthews, Donovan, Counting Crows, Ryan Adams, Damien Rice, and Jack Johnson.
Currently, Xavier has a short demo under his belt, which was recorded in Brooklyn at Terminal One Studios. The Demo EP features all his original work along with guest appearances from talented local artists. He has just recorded a live performance DVD / CD with his band, The Buybacks, which will be available this Fall.
Xavier has been blessed with a loyal fan base of folks from all walks of life. Whether he is belting out songs in New York, or even busking in Ireland, he flourishes in each venue, however intimate or unconventional.
http://www.myspace.com/xaviercardriche
http://www.xaviercardriche.com
Tune in again tomorrow!!!
JEFF MAY
PRESENTED BY TOM MILLET
CHICAGO MAG (07) ): The talented Mr. May is an Australian analog to Ron Sexsmith. May's songs are direct and to the point and highlight his achingly wonderful voice. There are bits here that remind me of Jeff Buckley, Neil Finn and Ronnie Lane, too. This is pretty good company to mentioned in, and May is quite deserving of such lofty praise. The Sexsmith comparison comes through very strongly on "Sad Is Somehow Beautiful". It's just obvious in the gentle, flowing melodies. The song has two primary melodies that compliment each other perfectly. This song radiates tenderness and empathy. May's slightly sandpapery voice is perfect on the loping "Two Hours a Day", which comes closer to Crowded House/Squeeze territory. This song has an instantly memorable chorus, as he sings about a woman who has spent "five long years in a cocktail dress/two hours a day trying to look your best." Let's just say her life hasn't turned out quite the way she would have liked. That track features the drumming of the late Paul Hester of Crowded House, who also provides a strong contribution to the 'rockingest' number on the record, "The Fever". The track contrasts a slinky rhythm with a little burst of floating melodic guitar. While the full band tracks are all terrific, on songs like "You Know It's Over" and "St. Patrick's Eyes", spare accompaniment spotlights May's vocals to great advantage (though on the latter, the band does come in to add a bit of drive). This is a very compelling piece of work.
HELEN BARRADEL (IMPRESS MAGAZINE) Hearing Melbourne songsmith Jeff May's debut album Confessions, made me feel like the ghost of Elliot Smith was in the room, messing with my stereo. The first track, When I Lay Awake At Night, finds the Dublin born May as a dead ringer for the recently departed Smith and felt so disconcerting that I pressed stop and took the album out of the player. As a huge fan of Smith, an artist of such pure originality with a never-to-be-heard-again voice of a generation...well, to have someone else channel him in this way, well I wasn't having any of it. Thank God I changed my mind and hit play again a few days later. The rest of Confessions is truly impressive - 11 tracks that differ so greatly from the opening song that it feels like a completely separate record. Lying somewhere between Jeff Buckley and Ryan Adams' starker work with hints of Smith present, May has a keen eye for poetic detail, melodies with great hooks and a voice like syrup. A wonderful addition to the already exquisite layered textures and beautiful production from Richard Pleasance is that the late, great Paul Hester of Crowded House drums on the record. The outstanding I Have My Judgement is a leaf torn straight from Buckley's book. The stirring I Still Believe In You is a stripped back ballad with striking harmonies - why this track hasn't made high rotation on radio station play lists is an absolute crime. And remarkable tracks like Surrender or She Likes To Sing reveal the nucleus of what Jeff May's music is all about: sad eyed observations, original and inspiring compositions and an unmistakeable ambience that drenches each of the record's 12 songs and establishes May as an artist with a grace and style all of his own. With Buckley and Smith on the other side, the world needed somebody who would not fill their shoes, but follow close behind. In Jeff May, we have found just that. Inspiring.
http://www.myspace.com/pprjeffmay
Tune in again tomorrow !!
PRESENTED BY TOM MILLET
CHICAGO MAG (07) ): The talented Mr. May is an Australian analog to Ron Sexsmith. May's songs are direct and to the point and highlight his achingly wonderful voice. There are bits here that remind me of Jeff Buckley, Neil Finn and Ronnie Lane, too. This is pretty good company to mentioned in, and May is quite deserving of such lofty praise. The Sexsmith comparison comes through very strongly on "Sad Is Somehow Beautiful". It's just obvious in the gentle, flowing melodies. The song has two primary melodies that compliment each other perfectly. This song radiates tenderness and empathy. May's slightly sandpapery voice is perfect on the loping "Two Hours a Day", which comes closer to Crowded House/Squeeze territory. This song has an instantly memorable chorus, as he sings about a woman who has spent "five long years in a cocktail dress/two hours a day trying to look your best." Let's just say her life hasn't turned out quite the way she would have liked. That track features the drumming of the late Paul Hester of Crowded House, who also provides a strong contribution to the 'rockingest' number on the record, "The Fever". The track contrasts a slinky rhythm with a little burst of floating melodic guitar. While the full band tracks are all terrific, on songs like "You Know It's Over" and "St. Patrick's Eyes", spare accompaniment spotlights May's vocals to great advantage (though on the latter, the band does come in to add a bit of drive). This is a very compelling piece of work.
HELEN BARRADEL (IMPRESS MAGAZINE) Hearing Melbourne songsmith Jeff May's debut album Confessions, made me feel like the ghost of Elliot Smith was in the room, messing with my stereo. The first track, When I Lay Awake At Night, finds the Dublin born May as a dead ringer for the recently departed Smith and felt so disconcerting that I pressed stop and took the album out of the player. As a huge fan of Smith, an artist of such pure originality with a never-to-be-heard-again voice of a generation...well, to have someone else channel him in this way, well I wasn't having any of it. Thank God I changed my mind and hit play again a few days later. The rest of Confessions is truly impressive - 11 tracks that differ so greatly from the opening song that it feels like a completely separate record. Lying somewhere between Jeff Buckley and Ryan Adams' starker work with hints of Smith present, May has a keen eye for poetic detail, melodies with great hooks and a voice like syrup. A wonderful addition to the already exquisite layered textures and beautiful production from Richard Pleasance is that the late, great Paul Hester of Crowded House drums on the record. The outstanding I Have My Judgement is a leaf torn straight from Buckley's book. The stirring I Still Believe In You is a stripped back ballad with striking harmonies - why this track hasn't made high rotation on radio station play lists is an absolute crime. And remarkable tracks like Surrender or She Likes To Sing reveal the nucleus of what Jeff May's music is all about: sad eyed observations, original and inspiring compositions and an unmistakeable ambience that drenches each of the record's 12 songs and establishes May as an artist with a grace and style all of his own. With Buckley and Smith on the other side, the world needed somebody who would not fill their shoes, but follow close behind. In Jeff May, we have found just that. Inspiring.
http://www.myspace.com/pprjeffmay
Tune in again tomorrow !!
SARAH LOU RICHARDS
http://www.BalconyTV.com
'Like' us on Facebook - http://on.fb.me/mhECp2
PRESENTED BY: CROW
DIRECTED BY: REV. JAY LEAL
Brought to you in Association with THE HARD ROCK CAFE in NASHVILLE TENNESSEE, THE RECORD SHOP NASHVILLE, and REBEL REV. PRODUCTIONS
Sarah Lou Richards stands at the hands of Americana tradition; a singer/songwriter and compelling bedrock artist with energy, emotion and the work ethic of a new generation.
Richards was born March 7, 1982 in Hudson, Wisconsin and at the age of nine, moved to Madison, Connecticut, where she was raised on her father's music junkie flair and her mother's vintage record taste.
She attended the Hartt School of Music in West Hartford, Connecticut. From there, Richards returned to the Midwest on a scholarship to study scores and compositions at the University of Wisconsin- Eau Claire. In 2005, she graduated with a major in Music Education and an emphasis on vocals.
Richards took what she learned during recitals and performances, to educate young, aspiring musicians. For nearly two years, Richards taught K-5 on the East Coast, only to find the classroom wasn't a perfect fit.
With just enough money set aside to pay for a couple months of rent, Richards crossed the Tennessee state line, determined to make a name for herself using her journal of song titles, hooks and lines.
After only a year of building on her songwriting and balancing three part-time jobs, Richards penned "Emerald City," a five-song EP that independently sold more than one thousand copies. Her first debut musical set on iTunes delivered a sneak peek into Richards' carefree view of life and wry sense of humor.
Taking inspiration from artists as diverse as mainstream acts like the Dixie Chicks, Miranda Lambert, and Bonnie Raitt to alternative singer-songwriters Ryan Adams, Brandi Carlile, Patty Griffin, and David Wilcox, Richards has crafted a debut cache of self-penned tunes that show off her talent not only as a vocalist but also as lyricist.
In 2010, she released "Ruby Red Shoes," a full length disc produced by Henry Paul (BlackHawk/ The Outlaws) capturing the fragrant nuance that marks Richards' artistry and on-stage talent.
The breadth of Richards' personal and professional life infuses a positive spirit, yet fierce intellect. Her music showcases one who is not afraid to be a real sinner and a quiet saint.
Today, she continues to embrace her growing fan base at a directory of honky-tonks, watering holes and music venues across the country. Her homemade success earns endless recognition as it comes alive without the benefit of a recording contract or publishing deal, but has stemmed solely from Richards' pure passion for song and voice.
www.sarahlourichards.com
http://www.BalconyTV.com
'Like' us on Facebook - http://on.fb.me/mhECp2
PRESENTED BY: CROW
DIRECTED BY: REV. JAY LEAL
Brought to you in Association with THE HARD ROCK CAFE in NASHVILLE TENNESSEE, THE RECORD SHOP NASHVILLE, and REBEL REV. PRODUCTIONS
Sarah Lou Richards stands at the hands of Americana tradition; a singer/songwriter and compelling bedrock artist with energy, emotion and the work ethic of a new generation.
Richards was born March 7, 1982 in Hudson, Wisconsin and at the age of nine, moved to Madison, Connecticut, where she was raised on her father's music junkie flair and her mother's vintage record taste.
She attended the Hartt School of Music in West Hartford, Connecticut. From there, Richards returned to the Midwest on a scholarship to study scores and compositions at the University of Wisconsin- Eau Claire. In 2005, she graduated with a major in Music Education and an emphasis on vocals.
Richards took what she learned during recitals and performances, to educate young, aspiring musicians. For nearly two years, Richards taught K-5 on the East Coast, only to find the classroom wasn't a perfect fit.
With just enough money set aside to pay for a couple months of rent, Richards crossed the Tennessee state line, determined to make a name for herself using her journal of song titles, hooks and lines.
After only a year of building on her songwriting and balancing three part-time jobs, Richards penned "Emerald City," a five-song EP that independently sold more than one thousand copies. Her first debut musical set on iTunes delivered a sneak peek into Richards' carefree view of life and wry sense of humor.
Taking inspiration from artists as diverse as mainstream acts like the Dixie Chicks, Miranda Lambert, and Bonnie Raitt to alternative singer-songwriters Ryan Adams, Brandi Carlile, Patty Griffin, and David Wilcox, Richards has crafted a debut cache of self-penned tunes that show off her talent not only as a vocalist but also as lyricist.
In 2010, she released "Ruby Red Shoes," a full length disc produced by Henry Paul (BlackHawk/ The Outlaws) capturing the fragrant nuance that marks Richards' artistry and on-stage talent.
The breadth of Richards' personal and professional life infuses a positive spirit, yet fierce intellect. Her music showcases one who is not afraid to be a real sinner and a quiet saint.
Today, she continues to embrace her growing fan base at a directory of honky-tonks, watering holes and music venues across the country. Her homemade success earns endless recognition as it comes alive without the benefit of a recording contract or publishing deal, but has stemmed solely from Richards' pure passion for song and voice.
www.sarahlourichards.com